There are plenty of movies I find better than the books they
are based off of; the God Father, There Will Be Blood, a Clockwork Orange, the
Shining. The Big Short by Michael Lewis was freshly added to that list. Which
isn't to say the book was bad, in fact, it was fascinating. Reading about the
collapse of the the entire market and its subsequent bailout from the
perspective of a few insiders is the chance of a lifetime and Michael Lewis
orchestrates this well enough to make the Big Short entirely worth it. That
said, there were frequent enough causes for eye rolling that make me wonder if
picking up another Michael Lewis book is entirely worth it.
Lewis is constantly on the lookout for tough guys in tough
times and his characterization of these financial insiders - Michael Burry,
Steve Eisman, Greg Lippmann, or Jamie and Charlie - is pretty flatly that.
Their perspectives on the numbers they discovered or their reaction to the
market is ridiculously fun and insightful, but these are not Lewis' invention
so much as his organization, which he did very well. What are less well done
are the characterizations that Lewis strives for; Burry and Eisman (and
Eisman's team) are cast as dark, cynical, and so meticulous it is off putting,
almost unbelievable. Tortured white guys steeped in tragedy who dared look into
the void of the US financial market only to become more dark and cynical and
tortured. OK, but this narrative style is not only getting old, but it either
isn't a fit for this story or Lewis doesn't piece it together well, I can't
tell which. I don't mean to quibble, I know it is a true story with real
perspective from real people, but I find it difficult to believe Lewis couldn't
have been a hair more diverse. In fact in the prologue he talks about Meredith
Whitney, an analyst who turned him onto the entire story and introduced him to
Eisman, but Whitney disappears completely from the novel. Why is this
important? Because I can't help but think the Lewis' characters are bad ones.
All the work of humanizing them by hearing their stories told directly in
quotes is abolished by Lewis' own attempt to deepen them. Vinny is a member of
Eisman's team and is consistently skeptical of the market, a quote from him is
a real treat. But Lewis's insistence on inserting things like "Vinny was
from Queens, so his view had to be a little bit darker" flat and
confusing...what does being from queens even mean? Or Burry and Eisman's
reaction to their anticipation of complete market failure boiling down to hot
flashes and spiked blood pressure, this is an incredibly weak reaction
considering how many people lost their homes, and it deafened their actual
voices with actual poignant and humanizing emotion in favor of obvious literary
tradition blindly applied. Not only is diversity humanizing, but the inclusion
of more character's might have left less room for Lewis's fantasizing….poorly.
A possible exception to this is Jamie Mai and Charlie
Ledley. Two younger guys who were not really in the big time trading, making
them the most outside of the outsiders, but also giving them a fresh and more
naive view to start. Eventually they delved into the sort of cynicism Eisman,
or Lippmann, or Burry wear on their sleeves, but in the beginning they are
ambitious and doubtful of their own abilities. Again, this is less of Lewis's
doing, but that he included them proves the point; diversity is humanizing.
Ledley and Mai add humor and empathy, their real life story adds to their
development as characters in a book, which means Lewis doesn't add much to
them. Their sections were fun and the best of what Lewis's other sections were;
pure perspective from fascinating people. They were a breath of fresh air in a
story that was surprisingly and frustratingly lacking empathy.
Which truly is the most disappointing thing about The Big
Short. It loses itself very quickly and will most likely lose most readers. It
isn’t a great non-fiction book, it doesn’t delve into the corruptibility of the
entire financial system, it doesn’t link it with the formative Bush years or
economic inequality, there are no harrowing stories of everyday citizens losing
their homes. All of these things would have given The Big Short a humanizing
thesis, or at the very least, a sense of direction. As a work of fiction these
stories would have added depth. Not to mention, all of the material was there!
Look at this gem that Leley gives Lewis towards the end of the novel; "At
the top of [my] list of concerns, after Cornwall Capital had laid its bets
against the subprime loans, was that the powers at be might step in at any
moment and prevent individual American subprime mortgage borrowers from
failing". That is a truly eye opening thought to be explored; was this
entire catastrophe preventable? Why weren’t the people saved before the banks
even went under? What did it mean that they weren’t? But does Lewis doesn’t go
anywhere with this, he just advances what did happen (the bailout etc). I
think Lewis might forget at times, even after the subjects have given him
brilliant insights to work with, that his readers lived through the bail out.
They come to The Big Short for an inside look, but they really only get to
eavesdrop. What they hear has the potential to blow their mind, but only
because of the stories they already lived.
Interesting. So I'm not gonna read The Godfather and this book, and I will just watch There Will Blood and read Beloved. Anyway, It's mind-blowing how a director can create a more powerful adaptation than the book (The Big Short film is beyond amazing).
ReplyDeleteWhen you explained about how some important, eye-opened parts should be explored more, it quickly reminded me of my final project adviser because she told me similar thing two weeks ago... A nice tip for writers.
I wonder how many books you already have for this season reviews, because there is this book called Ghost of Manhattan which is about a 35-year-old Wall Street insider who want to get out despite all the good money that I'm just thinking such topic would take your interest.
Good review anyway.